Monday, September 10, 2007

Monitoring the Monitor


This is a special kind of friendship, one would hardly believe. On one end of this bonding is Indian Desert Monitor (locally known as Goh)- a creature misunderstood as deadly poisonous as King Kobra and on the other end is a scientist who has dedicated his efforts to save this endangered specie. Goh is the first love of Dr. Narendra Singh Rathore the Deputy Director of Desert Regional Station, Zoological Survey of India-ZSI .(In Hindi: Bhartiya Prani Sarvekshan ki Maru Pradeshik Shakha) Their love story begins in 1958 and


Drought condition prevailing in Rajasthan has resulted shifting of several wild species towards villages. In search of food and water many of these animals are falling prey to the hands of villagers. Now scientists have come forward to protect Monitor-the giant Indian lizard mostly killed because of misconceptions.

Also known as Goh, the Indian Desert Monitor can be traced frequently at the outskirts of Jodhpur City now. With flexible head, mouth wide open, snake like tongue and hissing sound there are so many stories among the villagers about their attacking pattern and poisonous bite. Such myths and related stories are playing major role in creating a fear for this cool and calm creature.

Scientists from Desert Regional Station of the Zoological Survey of India (ZSI) keeping in the view of these misconceptions have re-launched their special campaign, which was initiated in 1972. “We want to spread awareness among people by demonstrating the real nature of Goh,” says ZSI’s Deputy Director Dr. N. S. Rathore.

Whenever a Monitor is reported from any village these scientists will tell the villagers not to kill the animal. Dr. Rathore conducts practical demonstration with Goh to prove that it neither bite nor attack the human beings. It is very shy in nature and quite defensive while followed. Studies show that in case of a threat a monitor’s first concern is to escape. Dog bite is hundred times dangerous than the bite of a monitor, which is also a rare case.

Natural habitat of monitor has been destroyed by the ecological changes. Introduction of Indira Gandhi Canal has brought human activities to many of these habitats and villagers are killing the monitor fearing attack from them. Many tribal communities like Jogi, Bheel etc. killing them for meat or for skin used for making purse, belt and shoes. Drought condition will result shifting of these animals towards populated areas and encounter with the villagers, Dr. Rathore points out.

Dr. R.C. Sharma Senior Zoologist at ZSI had conducted a survey and an awareness programme in 1989 at Sawai Madhopur, Jhalawar, Kota, Bundi and Bhilwara districts. Dr. Sharma said that Marathas used the gripping power of monitor and using them, captured most insurmountable enemy forts. They used to tie rope around the loins of the monitor and sent up a wall too high to climb. “At the top of the wall, the monitor holds on its grip fast enough to support the weight of a man scaling the rope.

Scientists are planning frequent visits to the locations where there is a possibility of tracing a monitor. They are trying to contact school children to make them aware about the harmlessness of monitor. Recently Dr. Rathore demonstrated a monitor at the Botanical Survey of India campus near Subhash Nagar about seven kilometers from here. The message is just “Let him Survive” and scientists are confident about the success.

Wednesday, August 22, 2007

Art of Commissioner

Rajasthan Special: Jodhpur/Painting

Art of Commissioner

She has not only maintained balance between administrative responsibilities and canvas but also has established a meaningful relation between these two

It is rare to witness a combination of art and administration skill. But those who have read Hindi’s timeless classic “Raag Darbari” may know that its creator Shrilal Shukla was an IAS officer. For last few months, Jodhpur is witnessing this rare combination. The difference is the administrative head here is holding brush rather then pen and is maintaining surprising balance between a responsibility of bitter truths and soft imaginations.

Jodhpur’s Divisional Commissioner Kiran Soni Gupta, with her off-beat decisions, have tried to prove that if the sensitivity of at is combined with administration; many achievements are there without much efforts. For example, last month Gupta was invited by a local NGO for a symbolic function organized for women inmates of the Jodhpur Central Jail, she got attracted by the condition of those children living with their mothers. She requested the NGO for support and today, the jail has an Aanganwadi school inside it. Swings are there for children and they have got near the real childhood for the first time. Shraddha Singhavi a social worker feels that such decisions are result of the art-administration combination. She says, “Art inspires us to look at the human aspect of the issue.”

For Kiran association with painting and administrative service is supplementary skills. She says, “While performing duties as Collector and Commissioner, I got a chance to understand deep seated elements of life around me. I can still recall that while posted at Ganganagar, I used to get ideas for my paintings about village life during interaction with villagers in a bid to resolve their issues. Association with art brings a sense of sensitivity in one’s nature that is essential for easy conversation with layman and for understanding his problems.”

Her art journey started since childhood when she tried skill on her elder sister’s canvas in her absence and had sweet scold with a pinch of praise. “After this, my relation with colours was on in a light manner.” The real start happened in 1987 when she was appointed as Deputy District Magistrate in Trichur and found canvas as a friend at lonely hours. She tells, “As a matter of fact some of my favorite paintings are of the period when I was APO (Awaiting Posting Order).” Her love for art got encouragement from husband who is also an IAS (Divisional Commissioner Jaipur). Her first art exhibition was actually the anniversary gift from her husband in the year 2000.

Her artistic skill got state recognition in 2003 when her painting on drought got national award. And then started a journey of art exhibitions and training camps in India and abroad. Out of these, her teaching tenure at Howard University is worth mentioning. In 2003, she invited 150 artists from around the country to portray Bikaner’s Junagarh fort on canvas and this became the first art-carnival of the region.

Experimenting with various streams she has created some good work with stained glass, knife painting, water colour, lithographs, calligraphy and mixed media. Her series of paintings titled “harmony” comments beautifully on the relationship between man and nature. While reflecting her imagination, gathered during administrative visits, on canvas she can’t hide her pain. “If we will not accept the importance of our heritage then why the world would accept the same?” she asks. It will happen if art gets the company of administration.

Monday, May 21, 2007

गाँव के मेले बुलाते हैं


तिल्वाडा का मेला राजस्थान मे प्रमुख ग्रामीण मेलों मे से एक है लेकिन अब इस पर बदलते परिवेश कि छाया गहराने लगी है. लूनी नदी के सूखे पाट में बाड़मेर के तिल्वादा गाव में हर साल सजने वाला मल्लिनाथ मेला साल-दर-साल मुरझाने लगा है।


रंग-बिरंगे परिधान ओढ़े ग्रामीणों का रेला, कथा-क्लासिक के पन्नो से निकल जीवंत हुवे हो ऐसे हस्त-पुष्ट मवेशियों के झुंड और कोने-कोने बिखर रह लोक-संगीत का सुर....ये सब महसूस करना हो तो आपको तिल्वादा ग्रामीण मेले कि पुराने पन्ने पलटने होंगे। तब से लूनी के सूखे पाट में पानी तो ज़्यादा नही बहा, परंतु ग्रामीण जीवन के देसी रंगो में टेक्नोलॉजी के रंग जरूर घुलने लगे हेई. इस साल याहा मेला तो लगा पर लोगो कि कम होती रूचि ने कयी मथो पर चिन्ता कि लकीर छोड़ दी.


ज़मीनी हकीकत पर पहुचने से पहले आइये थोडा इतिहास और आंकडो में झाँक ले। मीडिया और पर्यटन पुस्तिकाओ में आप तिल्वाडा पशु मेले का ज़िक्र मरू प्रदेश के सबसे बडे मेले के रुप में पायेंगे. भले ही ऊँटो के ब्यूटी पार्लर के चर्चे हो, भारी-भरकम बोली के साथ बिकने वाले मालानी नस्ल के घोडो कि बात हो या कि असली थरपारकर नस्ल कि गाय के दर्शन हो... इसने हमे कयी कहानिया दी हैं।


ग्रामीणों के अनुसार, इस मेले कि शुरुआत १३७४ इस्स्वी में लोक-नायक का दर्ज़ा पा चुके राव मल्लिनाथ द्वारा हूई। उन दिनों Marwaad और आस-पास कि रियासतो के उम्दा नस्ल के पशुओ कि खरीद-बेचने का ये सबसे जान-माना केंद्र बन गया. हर वर्ष चैत्र सुदी एकादशी से शुरू होने वाला ये मेला १५ दिनों तक लगता है. पर हकीकत में paanch दिन बाद ही मेला bikharana शुरू हो जता है. मेले के saantve दिन कुल जामा १५-२० ऊँटो कि तरफ इशारा करते हुवे स्थानीय निवासी मान सिंह कहते है, “कल तक ये भी अपने गावो का रुख कर लेंगे.”


रोचक पहलू तो ये है कि मान सिंह और दुसरे ग्रामीण मेले कि मन्द होती ‘मादकता’ के लिए ‘मोबाइल’ फ़ोन के बढते इस्तेमाल को ज़िम्मेदार ठहराते है । उनके अनुसार, “वो ज़माना और था जब आपको घोडा, गाय या ऊँट बेचना हो तो आप मेले तक इंतज़ार करते थे और सैकडो किलोमीटर से pashuon को तिल्वाडा तक ले कर आते थे. अब तो सरकार ने छोटे से gaanvo में भी हर हाथ में ये खिलौना (मोबाइल) पकडा दिया है. पशु-paalak आपस में सम्पर्क में रहते है और सौदा पाटने पर गाव में बैठे ही तय कर लेते है।”


मेला-स्थल के पास चारे कि दुकान पर हो रहे झगडे और लाठी-बाजी कि तरफ इशारा करते हुवे हरी सिंह कहते है कि राज के समय में राजपूतो द्वारा मेले कि सुरक्षा का जिम्मा उठाया जता था। अब सामाजिक व्यवस्था के ताने-बाने उतने मजबूत नही रहे और मेले में खरीददारी के लिए आने-वालो को याहा या फिर रास्ते में लुटने का bhay भी रहता है.


ग्रामीण प्रकृति के संकेतो को अक्सर अपने आस-पास घटने वाली असामान्य घटनाओ से जोड़ कर देखते है. आम दिनों में कई मीटर तक सूखी रहने वाली लूनी नदी मेले के दौरान ग्रामीणों के कोतुहल का विषय बन जाती है. लगभग ७ फ़ीट गहरे ताजे-खुदे khadde में से मवेशियों के लिए पानी निकलते जगदीश इस कौतुहल को स्पष्ट करते हेई. “मेले के दिनों में आप को याहा थोडा-सा खोदने पर ही peene लायक पानी मिल जाता है. ये सब मल्लिनाथ जी कि कृपा है.”


अपनी मुछो के किनारो भाले सी नुलीली बनाते मान सिंह कहते है, “फोटो खीच लो kyoonki इस मेले से अब आपको मुछे भी गायब होती नज़र आएँगी. मुछो कि ज़गाह मोबाइल आ गए, मल्लिनाथ-मेले के कुवो में मेल आने लगा हेई और थोड़े दिनों में मेले कि जगह माल आ जायेंगे.” .... बात में दम है!

Friday, May 18, 2007

Stars in Those Eyes!






“O Door Ke Musafir, Humko Bhi Saath Le-le Re…Hum Rah Gaye Akele” the Hindi movie song, that means- “O! Traveler to the far places; take me with you … I am alone here,” fills the air in chilling December winter of Thar Desert in Rajasthan. This is Amba Ram- an 18-year old student of the Satya Sai Baba Blind School- a residential school for blind, deaf and dumb children in Barmer. For many of his friends in other schools, Amba is a blind boy. But just have a two-minute interaction with him and realize thousands of dreams shining like starts in his eyes.

“Want to listen a song written by me?” asks Amba Ram. And before you say something, he adds that the song has a story behind it. “I belong to village Dhanau of Barmer. My younger sister Kavita wanted to go to school like many of her friends, but my parents were strictly against this idea. They are illiterate and think that there is no meaning of a sending a girl to school. I write the song that says: “Soni Padh Gayi-Salma Padh Gayi, Padh Gaya Sara Gaon. Padh Gaya-Padh Gaya…” (Soni went to school; Salma went to school and look everyone in village is going to school). The song requests to send girl child to school. But, till date I have failed to make my parents agree on this issue. I have a dream that I would become a teacher and would teach my sister at home,” he sums up.




“Ankho Mein Nahi-Dil Mein Ujala Hai” (The light is not in eyes but in heart), states the small display board on the wall of classroom as Ramesh (20) yet another shining soul of this school demonstrates his latest creations- working miniature models of a bicycle and a Jeep. “I can replicate any design once touched and felt for a few minutes. I can bicycle if given an open ground and had ‘felt’ the Jeep at a repairing shop in our village. These models have been made out of waste materials and I would like to call it “Kabaad Se Jugaad” (making the best use of waste and developing products),” said Ramesh.




Similar is the story of Kamla- the ten-year old girl from village Mulani of District Barmer. “I don’t know when my birthday comes. But I love festival like Diwali (the Hindu festival of light). The making ready for Diwali is always a delight to her. Of course she doesn’t know what it is all about, but she enjoys the pleasant aroma that filled the house and the sweets given to her on the festival. “Mein yahan khoob padhungi aur phir padhaungi” (I would study and then would teach the students here) she tells us.



Winters are too harsh for the students. The building is quite old. Doors and windows are not in a condition to stop the chilling winds. The Society to Uplift Rural Economy (SURE) a Barmer based NGO is managing this residential school with 27 student. “We have a long list of aspirants, but don’t have enough space to accommodate them,” said Mr. Magraj Jain, the founder of SURE. Bhagmal Saini and Vikram Singh- the teachers at this school are very hopeful about the future of these students but feel that better facilities are needed to achieve the goal.


The school-clock breaks the silence of night and strikes five. It is too early for the city residents of Barmer, but darkness doesn’t mean much for these students. As yet another display board on wall says: “We don’t afraid of darkness because we don’t know what the light is,” it is the time to start the preparation for a new day.

Ramesh is already out of his bed to help the attendant in warming the water to bath with an immersion rod. He is singing a Hindi song that means:“Punjabi truck mera dil le gaya…moti-moti aankho me aanso de gaya” (that truck of Punjab has stolen my heart and now tears are there in my beautiful eyes). True…his eyes are beautiful …filled with thousands of stars i.e. dream …waiting to be true.



--Ayodhya Prasad Gaur